Your Place of Maximum Possibility – Orr What? Wednesday

Get Published, Kindle Bargain, Writing Tips, ,

Sky's the Limit imageMy grandmother used to say “Always put your best foot forward.” She could have been speaking to anyone who hopes to be published today. I’m speaking to that very audience and as Grandma’s good girl I say “Always approach publishing from your place of maximum possibility.”

“Where is that place?” you might ask. Your maximum possibility resides in three venues. Today I address the first and what I consider the foremost of those – your writing work. I’ll get to the other two later.

To be in your place of maximum possibility for finding a traditional publisher or a readership as an independent publisher – you must write the very best work you have in you. The very best novel. The very best memoir. The very best nonfiction book. The very best story or article. That YOU have in YOU.

Anything less than your very best won’t be good enough to get you where you want to go in this extremely competitive media environment. On the traditional side agents and editors have piles of pages and a plenitude of digital submissions to select from when it comes to what they will represent or acquire.

“Choose me. Choose me” every eager writer cries. Your voices and mine are among them.

On the independent side readers have a multitude of eBooks and even indie published print books to choose from. We talk a lot about discoverability in the indie community. Those conversations have lurking beneath them our own cries of “Choose me. Choose me” as well.

Whatever your publishing medium choice may be the central question is the same. How do I emerge as one of the chosen? You write something absolutely bang-on terrific. That’s how.

You do that by getting your writer self into study mode. Study authors who are doing it right already. Study books on writing craft that can help you hone your own. Grab most tightly onto the tomes with lots of hands-on exercises. Do those exercises with your current writing project in mind. Because you must take what you learn and practice – practice – practice.

This also means going back to school. Find a writing course taught by somebody who truly knows how to teach. Listen to the jungle drums of student comment to know who that good teacher is. Then don’t miss a single class or blow off a single assignment. Take criticism with gratitude and run with it straight to the best writing you have in you.

Polish your writing until it’s a brilliant gem that will shine like a beacon to light your way from here. Because as you hold this writing gem in your hand and heart – you’ve reached the first great milestone without which the rest of your author aspirations cannot happen. You and your very best work have entered your own Personal Place of Maximum Possibility. And Grandma is really proud of you as am I.

RR

A YEAR OF SUMMER SHADOWS – Riverton Road Romantic Suspense Series Book #2 – Mark & Hailey’s Story. Officially launches with summer on June 22nd but is already available at http://www.amazon.com/dp/B00ZBOTH5O. This is my 13th novel and I wrote it from my place of maximum possibility. Alice Orr – www.aliceorrbooks.com.

 

 

 

 

 

I Can Go Home Again – Riverton Road Monday

Kindle Bargain, Storytelling, Writers Life,

Alice at SRWA Workshop - August 1994I was in Saratoga Springs this past weekend. More specifically I was in the North Country where I grew up and where I’ve set my first romantic suspense novel series. I’ve been writing this series for months now but I haven’t been back north physically or geographically or emotionally in quite some time.

Those trips I did make were mostly to campuses and groups of other writers from other locales. Or I’d be staying with somebody I’d known a long time. Actually visiting the small town of my friend’s individual life – more than I was visiting the landscape surrounding that life or the general presence of the people who live there and make it what it is.

This trip was different. I was generously hosted by Joyce – a lovely lady I’d previously met but didn’t know well. Staying at her comfortable home gave me distance from the intense personal involvement and long-shared personal history that usually accompany my North Country jaunts.

Yet there we were – Joyce and I – in her kitchen until almost 1 a.m. talking about some very personal details of our very personal lives. That’s pretty much characteristic behavior in our pocket of the northeast. We cleave fairly close fairly fast and – on short acquaintance – trust each other with intimate details of our lives. At least we women do.

Even beyond that delightful person-to-person sharing the trip was an extraordinary experience. Despite the brevity of my time back home I remembered – both on the surface and deep down – what it feels like to be where I was born and raised. Where I became so much of what constitutes the human being I am.

Then all of a sudden I was in the middle of a group of authors who are another deep part of back home for me.  We share a passion for writing but much more than that. They come from where I come from. Most of us grew up there. We know the weather and the character of the place and the character of each other.

That afternoon I remembered how I feel a certain amount more at ease among people I share so much with underneath whatever surface differences there may be in our individual lives. I also remembered how much I like the people I come from. How much I in fact love them.

I’ve been a lot of places since I was last really back home. This past weekend brought me out of that away-ness and those other places just long enough and profoundly enough for me to feel all the way inside the North Country again.

I can’t tell you how much all of this means to me on several levels that run straight to the center of my heart. Except I guess I have just told you. I re-read this post and find myself stumbling around my mind in search of a way to bring you inside with me. Inside my Riverton stories which are the subject of these Monday meanderings.

Of course Riverton is back home and this past weekend I discovered I truly can go home again. Not only in the pages of my stories but on an Amtrak train as well. Up the gorgeous Hudson River at sunset to a place where when I’m bound to go there – gracious and giving North Country folk are bound to take me in.

Special thanks to Sally Booth and Saratoga Romance Writers – SRWA – for our years together. That’s us in the photo in 1994. Thanks for this past weekend too. I hope I can keep coming up with pretexts to travel north and regale you with what’s on my mind at the time until you’re terminally sick of me. May that malady not afflict you any time soon.

RR

A YEAR OF SUMMER SHADOWS – Riverton Road Romantic Suspense Series Book #2 – Mark & Hailey’s Story. Officially launches with summer on June 22nd but is already available at http://www.amazon.com/dp/B00ZBOTH5O. This is my 13th novel and it’s all North Country all the time. Alice Orr – www.aliceorrbooks.com.

 

How to Knock Their Socks Off on Page One – Ask Alice Saturday

Kindle Bargain, Storytelling, Writing Tips

Socks Knocked Off imageQuestion: How do I write an opening that knocks their socks off?

Answer: Let’s talk about openings that keep the footwear solidly in place.

This is my second “Ask Alice Saturday” post about story openings. This should tell you how critical I believe they are. This is also “Ask Alice Saturday” happening on Friday because I’m on the road tomorrow debuting a new workshop called WE’VE GOT THE POWER: How Choice Changes Everything about Publishing Today. Wouldn’t it be great to see you there?

Back to story openings. First there’s the nineteenth century standby – the weather. Contemporary writers too often forget what millennium we’re in and default to this outdated opener. As a general rule weather is a non-starter start – a wheel spinner – a bore.

UNLESS – the weather is actually foreshadowing. A haunting hint at what’s to come that sets the reader on edge. OR – a blatant contrast with what’s to come that sets the reader up to be shocked and surprised. In each of these cases there’s a plot purpose for the meteorological beginning. Otherwise it’s just – ho hum – the weather.

Ho hum no-no number two. Transportation scenes. On a plane or in a car are the transportation alternatives most popular with writers. Unfortunately cars and planes are confined spaces. This dooms your opening scene to a static bit of non-business. Talk talk talk and little action.

UNLESS – the vehicle is involved in a chase. OR – is about to crash. OR – is being hijacked. OR – is the setting of a truly traumatic character interaction. All of these are high tension situations that serve the purposes of a taut story line.

A high tension situation gives your story and your reader a slam bang start. Slam bang is the pace to pursue when crafting the opener for any piece of writing – fiction or nonfiction. Start slam-bang into the middle of things where the action is for fiction. Start slam-bang into a high interest anecdote for nonfiction.

Don’t ease us in. Drop us in. Straight to the thick of things before we have a chance to get away. Or put the book back on the bookstore shelf. Or stick the magazine back on the newsstand rack. Or switch the device to a different screen. Hook us into intensity before we can make any of those dismissive moves.

Do this and we’ll be hanging on your every word and hungry for more. Plus we won’t want to walk away and leave our knocked-off socks behind.

RR

A YEAR OF SUMMER SHADOWS – Riverton Road Romantic Suspense Series Book #2 – Mark & Hailey’s Story. Launches with summer on June 22nd at amazon.com/author/aliceorr. This is my 13th novel and by the end of the Prologue you just might be barefoot. Alice Orr – www.aliceorrbooks.com.