Answer. The cool read is what needs to happen after you finish the first draft of a manuscript.
We all know we must always submit Only Our Very Best Work. We achieve our very best work by revising. Revision is where Excellence happens. Revision is where a salable story happens.
We must beware of the blush of enthusiasm we all feel when we complete our first beginning-to-end draft of a manuscript. This is euphoria and it is totally misleading.
We are overjoyed to be finished. Certain our story is a thousand percent wonderful. We’ve lost all capacity for critical judgement. We’re in love – in love with our accomplishment. As we well should be. The completion of a first draft is a huge achievement.
BUT we must never submit our work at this point. This is where the crucial cool read comes in. We need to let the manuscript “cool” for a while. A few days at least. A bit longer if possible.
Set the piece aside. Do something else. Give yourself a total break. Or catch up on your social media/internet presence which will also be crucial to marketing your work. Or do some background prep for your next writing project.
Whatever your choice of cooling mode the purpose is the same. To give yourself distance from your creation. To clear your eyes and your mind and your heart so you can come back fresh – with your critical judgement intact.
When you return to the manuscript read it All The Way Through. Preferably in one sitting if you can manage that. If you can’t manage that – as many of us cannot – read it in subsequent sittings with no other writing work in between. You’ve cooled your head. Take full advantage of that.
Then Revise. Prepare for that revision by interrogating your manuscript. Ask it – and ask yourself – Six Crucial questions.
- How can I give this work a stronger narrative hook? A more intriguing Story Idea or Premise? A more riveting Dramatic Opening?
- The next 3 questions are for fiction writers. How can I make my Protagonist more sympathetic so the reader will really care about this character and thus be emotionally involved? Is my Protagonist a decent, admirable, heroic person?
- How can I make the Villain more formidable and still believable so he is a real source of conflict for my Protagonist?
- How can I make the Plot work better? Perhaps, by strengthening character motivations?
- For both fiction and nonfiction. How can I keep the Middle move rapidly along without sagging or getting muddled? With cliffhangers? With revelations?
- How can I make the Ending as satisfying as possible?
Congratulations. You’ve done the work. You’ve taken the truly cool road to producing your hottest work. You’ve earned a euphoria boost. Don’t forget to celebrate your work and yourself.
A WRONG WAY HOME – Riverton Road Romantic Suspense Series Book 1 – the eBook – is FREE at http://www.amazon.com/dp/B00T9RVGGC. It is also FREE at Barnes & Noble and iTunes and KOBO and other online platforms. A YEAR OF SUMMER SHADOWS – Riverton Road Romantic Suspense Series Book #2 – is available at those same platforms including http://www.amazon.com/dp/B00ZBOTH5O. These are my 12th and 13th novels. They are both cool reads. Alice Orr – www.aliceorrbooks.com.